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Was Fred romantic? Well, there’s a contradiction. Because he didn’t bullshit you. He did not lay it on thick like some actors, who give you the eye and make you so embarrassed. He was a gentlemen. He behaved like a gentlemen. He was a fabulous partner. - Leslie Caron
Was Fred romantic? Well, there’s a contradiction. Because he didn’t bullshit you. He did not lay it on thick like some actors, who give you the eye and make you so embarrassed. He was a gentlemen. He behaved like a gentlemen. He was a fabulous partner. - Leslie Caron



Leslie Caron in Gigi (1948)

Leslie Caron in Gigi (1948)






Leslie Caron photographed by Cornel Lucas, 1964.

Leslie Caron photographed by Cornel Lucas, 1964.



thisisnodream:

Leslie Caron in Daddy Long Legs, 1955.

thisisnodream:

Leslie Caron in Daddy Long Legs, 1955.



50dollars4thepowderroom:

Debbie Reynolds pays Leslie Caron a visit on the set of An American In Paris.

50dollars4thepowderroom:

Debbie Reynolds pays Leslie Caron a visit on the set of An American In Paris.



hedda-hopper:

Leslie Caron and Gene Kelly, An American in Paris (M-G-M, 1951)

hedda-hopper:

Leslie Caron and Gene Kelly, An American in Paris (M-G-M, 1951)



always-fair-weather:

“You hear a lot of bad-mouthing about the old studio system, and, of course, there were shortcomings.  I defend so many things about the old system because it worked out well for at least the musical groups that I saw at the studios, especially those at MGM.” - Gene Kelly, 1981

always-fair-weather:

“You hear a lot of bad-mouthing about the old studio system, and, of course, there were shortcomings.  I defend so many things about the old system because it worked out well for at least the musical groups that I saw at the studios, especially those at MGM.” - Gene Kelly, 1981





oopswrongcentury:

Leslie Caron (1948).

oopswrongcentury:

Leslie Caron (1948).



vintagebreeze:

Leslie Caron in color.

vintagebreeze:

Leslie Caron in color.



fashion-and-film:

An American in Paris (1951)

fashion-and-film:

An American in Paris (1951)